The BETA 52A features a modified supercardioid pattern through- out its frequency range to insure high gain before feedback and excellent rejection of unwanted sound. When dealing with drum miking for recording or live sound, high sound pressure handling-SPL (over 160dB), is needed. Manufacturer Support: Best support=not needing it. /Flags 4 away from beater head, slightly off-center from beater. You're allowed to put it anywhere. /Kids [ 750 750 750 750 750 750 750 750 750 750 750 750 750 750 750 750 Here is what I've done and seen other engineers do. x��{{\����wfv���vX�YeQ\ePP���#* �G�D�0�0I5�IS��y6uA��I���e�&��S�����o�~��̞{Ͻ��ǜ{���� F���+��i/ ��:_�F~������}�}Ɋׯox@�5�W.Y~�������6�,�����yU���c��m�a+�!Z��!�mŚ�>{�~ӯ`��7��[��.,?����v�~���&L�+�W�*S~�i,'����\ˁ �xV޾��=�x�Lg����/D�����x���W��P�A��AK�0Ft��7�N�i`Q���6g�S�L�`x$��I�`����P�jY�A���!a?$#��C2 7@�s�/X+g1�G �. /LastChar 255 666 666 750 750 750 750 750 277 The Shure SM57 is the industry standard snare drum mic, and a high performing choice for toms, whilst the Beta 52A kick drum mic is a renowned, premium selection for kick drums. << A built–in dynamic locking stand adapter with an integral XLR connector simplifies installa- tion, particularly if the microphone is to be placed inside a kick drum. << stream And the batter head sometimes referred to as the back head. Keep in mind that micro-phone technique is largely a matter of personal taste– there is no one “correct” microphone position. ApplicationSuggested Microphone Placement Tone Quality Kick Drum5 to 7.5 cm (2 to 3 in.) If people aren’t dancing, check the kick’s dynamics in the mix. 11 0 obj 556 556 556 750 277 277 277 277 A dynamic cardioid mic is designed specifically for … 3 0 R 35 0 R 63 0 R 69 0 R 75 0 R 81 0 R 87 0 R 93 0 R I usually have a hard time with mics that have scoopy kick-tailored frequency responses. away from beater head, slightly off-center from beater. the kick's not tuned right yet either, it's "flat" and has no tone. The front of the kit facing the audience. I like to put mine right at the hole just breaking the plane of the back head to start. 750 556 556 556 556 750 750 750 /Name /F0 750 750 750 750 750 750 750 750 Back in the mic closet. % created by pdfMachine from BroadGun Software - ver [14.80] build [713] /Type /Font You can start with the mic. try going up with the rezo head a little? I would say it's designed very specifically to point towards the source of the sound and thereby reject sounds from other drums nearby. I tried the following setup after lots of messing with a single mic setup and it made the woofers almost jump out of my monitors, lots of tone, lots of slap. I would describe it as sounding flimsy, lacking the solid punch of the 200 hz range. ymmv. /BaseFont /Helvetica A built in dynamic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. What's your ideal mic position for Beta 52 on a kick drum? The mic was an RE20. Maybe I'm weird but I almost never like the Beta 52 inside kick. Last time I recorded a kick I got a very good low end from putting the mic just outside the mic hole, pointed straight in. Just a friendly reminder that political discussion, (including "offhand" and 'sideways' commenting) is. >> Keep in mind that micro-phone technique is largely a matter of personal tasteŒ there is no one ficorrectfl microphone position. It has hardly any backbone. 750 750 750 750 750 750 750 750 First with each mic on it's own, then with with the overheads, then with the overheads and a front of kick mic. << my last sm58 lasted over 10 years. /FontBBox [-664 -324 2000 1005 ] None of the spots that worked for me in my smaller, dead room work in my much larger and livelier space. 750 736 750 750 750 750 736 750 endobj The 52a is hypercardioid. /FirstChar 32 Putting it in or very near the bass drum can result in the bass drum shell serving as a gobo to block the other drums from getting into this track. /Subtype /TrueType 750 750 750 750 750 750 777 750 These are some of the best drum mics around, and represent the industry standard for recording drums in live applications as well as in the studio. 750 750 750 750 722 750 750 610 /Encoding /WinAnsiEncoding I'm still learning so everytime I do a serious recording I have a pro come by and help me out getting the heads set up. 399 750 750 750 750 750 750 750 /Type /FontDescriptor When you buy products through links across our site, we may earn an affiliate commission. 750 750 750 750 750 750 750 750 The Wow Factor: if you're going to record some bass guitar, or bass drums, this is the mic to purchase. On my Signia kick, the way I have it tuned and muffled - it sounds good about halfway in the hole pointed straight in. /Length1 17892 I like it just inside the soundhole pointed off axis towards the beater. This seems to give it a nice scooped sound with some low end 50-60hz and nice tap of the beater. 750 750 750 750 333 750 750 750 The Shure Beta 91A is designed for use with kick drums, piano and other traditional low frequency applications. I am 100% convinced that the best mic location is room and tuning (as well as genre) dependent. 750 750 750 750 750 750 750 750 9 0 obj /FontName /AATENA+Arial For a warm more 70's vinyl sounding kick I put it deep inside 4"-6" from the beater head again off-axis. ] Rather than EQ it after the fact, I want a great sound going in. Explore it. Simple things like the pedal clamps can mess up the sound. 5 0 obj An updated microphone capsule is tailored for bass-heavy environments to produce a powerful low frequency response, and a new design integrates the preamplifier and XLR connec-tion for easy setup and minimal stage clutter. /StemV 80 >> 750 750 750 750 750 750 750 750 /Count 12 I can angle it toward the beater for a little more click, or move it in further for a REALLY clicky sound. /Resources << Just inside the mic hole, pointed at beater. /Filter /FlateDecode This brings more low mids in and warms it up. Here's a mixdown for you all. Shure Beta 52A with built-in drum mount, it serves as the kick drum mic with its good low-end handling. /Type /Pages /Descent 307 666 750 750 750 666 750 750 750 The rest is tuning. >> /Contents 31 0 R %PDF-1.3 endobj Application Suggested Microphone Placement Tone Quality Kick Drum 5 to 7.5 cm (2 to 3 in.) endobj 750 750 750 750 750 750 750 750 The mic is indeed EQed in a way that works for a lot of kick drums, but the other point of its design is that you get a track that is just kick drum so that you don't have to mess up the rest of your kit with whatever EQ, compression and reverb it takes to get your bass drum sounding good. /Length 13 0 R 750 750 750 750 750 750 750 750 /Name /F1 probably the sound you want involves a condenser outside the kik. I would only entrust the kick to the best mics available. It provides superb attack and "punch," and delivers studio quality sound even at extremely high sound pressure levels. 750 750 222 333 333 350 556 1000 Granted my experience with the 52 is mostly live. /Type /Page >> The most common BETA 52A applications and placement tech-niques are listed in the following table. The sample doesn't sound too bad through my earbuds. A built–in dy- namic locking stand adapter with an integral XLR connector simplifies installation, particularly if the microphone is to be placed inside a kick drum. I occasionally break out the Shure Beta 52A to get the job done right. 750 750 750 750 750 750 750 750 For instance, the '57 has a gentle rise in the presence region up to 10kHz or so, whereas the Beta-52a has a 10dB peak at 4kHz. (YMMV.....), I put it just inside the port hole so basically only the grill is past the head. /XObject <> 1 0 obj 7 0 obj Check out the Bob Gatzen tuning videos on the Evans site and various YouTube copies.

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