and softer because you’re moving it around. For more than 20 years, the fine art photographer Harold Ross has been making images using a technique known as “painting with light,” which involves casting light on and around subjects in the dark during a time exposure. I guess they Yeah. For more than 20 years, the fine art photographer Harold Ross has been making images using a technique known as “painting with light,” which involves casting light on and around subjects in the dark during a time exposure. His images have a sublime light quality and a fascinating surreal touch to them. It involved a fiber optics cable and a box with a lamp in it. Join noted fine-art photographer Harold Ross for a presentation of his Light Sculpting process, a technique that he has been perfecting for 30 years. Or do you remember seeing other people do it? trains. and yeah, these little details make the difference, thanks for share friend. is, in some ways, a symbol, almost a portrait, of my grandfather. His work has been exhibited, published and collected all over the world. So I got in touch with Harold, a well established commercial shooter from Philadelphia, to find out how he goes about making such great light painting photographs. I make a series of captures to give me a base threshold exposure and then I wait until it’s really, really dark. Years of experimenting with the special technique of light painting* has given me the ability to show subjects in a "different light", so that others can see them in a new way. You don’t want to be run over by a deer. This light is meticulously applied in each image and is very sculptural in nature. I hope this helps, and happy light painting! So I can really adjust what I’m doing with the light to a much finer degree. One of the things that happens with this light painting that I’ve noticed is the sense of scale gets altered — not only in the landscapes, but with things like try it out. Every time I would turn away, I would see three or four huge mice around. I certainly didn’t invent it. We still do this today. I would have to say it would be one of the landscapes. It’s very basic, stacking the captures up in layers and then masking. That’s because of the extremely They saw us at the last minute and took a right angle turn, but it was a little scary. American photographer Harold Ross creates these outstanding images using a photographic technique called light painting. Credit Roger Fenton/Royal Collection Trust/HM Queen Elizabeth II 2017. Because of the building up of light over time, these images are beyond what we would see in any one moment. When you first see them, they tickle your brain since you’re not quite sure whether they’re paintings or photographs. But it’s very soft masking. Do you use Photoshop when you put everything together? What kind of lights do you use for something so small? When you first see them, they tickle your brain since you’re not quite sure whether they’re paintings or photographs. quickly. What the largest thing that you’ve sculpted with light? In viewing my capture on the large computer monitor screen I can see details — the nuances — more than I could on a Polaroid. Images from “Shopcraft” are shot in working spaces, industrial places that are functioning today. The photograph I made of an anvil The negative effects of time have often been addressed by artists and writers. For Mr. Ross, the process is about curiosity. And then last week we were doing something in the woods and three deer came charging at us just before dark. Then they would run away. While standing next to my father in the darkroom, I felt a sense of wonder as I watched his images magically appear in the developing tray. He instilled in me a deep respect for people who work with their hands. In light painting, there’s a huge difference. Best, Harold. I hope this helps, and happy light painting! It’s a little more challenging when you have ambient light – you have to take your ISO way down, maybe use neutral density so you can have a longer exposure. Harold Ross is an American fine art photographer who has been mastering the art of light painting for the past 30 years. Credit Pablo Blazquez Dominguez/Getty Images, Credit Ivor Prickett for The New York Times, Roger Fenton: the First Great War Photographer, A Photographer Captures His Community in a Changing Chicago Barrio, What Martin Luther King Jr. Meant to New York, Behind the Iron Curtain: Intimate Views of Life in Communist Hungary. It was, especially in the commercial side. Sculpting with Light by Harold Ross Harold is a professional photographer based in Pennsylvania. But not that many people are doing more naturalized, or more serious, light painting. shallow angle of the light, and the fact that the light is, in many cases, an inch or so away from the subject. One of the advantages of light painting is that you can use a smaller light source, which gives you more texture, more colors and more detail. Mr. Ross, who also does commercial and studio photography, prefers to call the process “sculpting with light.” Using a Phase One Back on a Hassleblad for still life photographs and a Cambo Wide RS for landscapes, he spends hours creating his images, which look like oil paintings, rich in color and depth. Harold Ross is a master of this fusion of photography and painting.

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