That said, you can generally break it down to something like this: If something doesn't sound right, there are a lot of things to change before you reach for the EQ. If your room doesn’t add to the sound of the instrument, you’re better off not using any ambient mics. Contrary to what many might think, just having great recording equipment doesn't automatically guarantee that you'll capture great sounds. The balance between voice and room is set by the distance to the mouth and the placement of the performer in the room. The Vocals of this microphone is clean, crisp and very direct which makes this microphone much better than their competitor. EQ should be the last thing you touch.Microphones can't effectively be placed by sight alone, which is a mistake that's all too easy to make. Part of running a great computer-based recording studio is making sure you get great sound from a microphone (or mic, for short). You can also find stereo mics that — on their own — do a good job of capturing the stereo field of an instrument. Why should I use a room mic? The distance that you choose varies from instrument to instrument. If at all possible, give the mic some distance from the source in order to let the sound develop, and be captured, naturally. Applying the principles behind these tips will help you capture the guitar sound you're looking for. 5 Ways to Place Microphones for Great Sound Recording, PC Recording Studios For Dummies Cheat Sheet, PC Recording Studios: Configuring Audio Application Hardware Settings, PC Recording Studios: Determining Your Software Needs, Recognizing the Role of Plug-Ins in Your PC Recording Studio, Part of PC Recording Studios For Dummies Cheat Sheet. Let's take a look. Listen for a short (0.9 ms or less) reverberant quality. Perhaps you’re recording a choir in a church. The noise-masking acoustic diffusion you get in the best live venues lets you get away with all kinds of tricks, from extreme EQing to dynamics processing that would sound awful on a studio album. If the majority of the sound will come from the room, start getting sounds from those mics first, and then add any other mics that act as support. Before we can get into that though, we have to choose the proper mic first. A Shure associate since 1979, Davida Rochman graduated with a degree in Speech Communications and never imagined that her first post-college job would result in a lifelong career that had her marketing microphones rather than speaking into them. Stereo miking has the advantage of capturing a natural stereo image. Combined miking strategies: Many times you’ll want to use more than one mic. Good recording! With it, you can pick up the whole drum set to some extent. Quickly finding the optimum position for a mic is perhaps the single most useful talent an engineer can have. When you think of miking up an electric guitar amp, placing one or two microphones directly on … When you listen to performances that were recorded with well-placed stereo miking, you can hear exactly where on the stage each instrument performed. The player and the instrument contribute at least 50% to the overall sound (sometimes a little more, sometimes a little less – but always the greatest portion). Today, Davida is a Corporate Public Relations Manager, responsible for public relations activities, sponsorships, and donation programs that intersect with Shure at the corporate and industry level. Even on close-miked instruments, the room is far more responsible for the ultimate sound than many engineers realize. The mic position contributes about 20% to the overall sound. An example of a distant-miking technique is the overhead drum mic. Either way, don't overlook the polar pattern when choosing a mic. If you mix this in with a spot mic, you can end up with a natural reverb. Here are a few things that you might want to consider when selecting a microphone to record with. November 13, 2020, http://www.lynda.com/Audio-tutorials/Audio-Recording-Techniques/95612-2.html, http://www.lynda.com/Bobby-Owsinski/1149115-1.html, Shure & Montreux Jazz Artists Foundation Showcase 'Autumn of Music', How CalArts Shifted to Remote Recording amid COVID Concerns, Black Lives Matter Inspires Live Music Course for Women. . How To Mic a Harp Live. The room contributes about 20% to the overall sound. You can even put the mic in an adjacent room, although this is an unorthodox technique. You can even put the mic in an adjacent room, although this is an unorthodox technique. Some mics just can't take an extended amount of sound pressure level without generating some sort of distortion. The above guidelines can be used in just about any recording application and will help you deliver a sound that goes way beyond the normal cookie-cutter "this is where to put it" mic placement. While there may be a mic that works well for many applications, no single mic works great on everything. If the instrument you're miking radiates in multiple directions (like an accordion, dulcimer or bassoon), sometimes an omni pattern works wonders. Depending upon pickup pattern of the mic you'll be using, you'll have to approximate the way it captures audio when you're listening. The use of a room mic in its simplest form is to capture the space you are working in. Coupled with a few select spot mics, you can record a natural sound. Even on close-miked instruments, the room is far more responsible for the ultimate sound than many engineers realize. That's why the level of the source always has to be a consideration when choosing a mic. ABOUT BOBBY OWSINSKI: He is the author of 16 books on recording, music and the music business as well as several outstanding, step-by-step video courses for Lynda.com, including Audio Recording Techniques, Audio Mastering Techniques, Mastering for iTunes and the Audio Mixing Bootcamp.Learn more at:http://www.lynda.com/Audio-tutorials/Audio-Recording-Techniques/95612-2.htmlhttp://www.lynda.com/Bobby-Owsinski/1149115-1.html. The possible combinations are almost limitless: You can use several spot mics on one instrument, you can use a spot mic and an ambient mic, you can have a distant mic and a spot mic, or . The microphone should be moved further away from the harp if there is room for the player given the space he or she is in. Mod… The problem is that you can't really quantify how much each variable in the recording process contributes to how a recording ultimately sounds, since each situation, even within the same project, is unique. I personally love using the mid-side stereo mic technique, especially on rich acoustic instruments like this. Placement is really your acoustic EQ and is responsible for the instrument's blend in the track. A variety of stereo miking techniques exist, and things can get pretty complicated when using two mics to record. You should always trust your ears and begin by listening to how the instrument sounds, find the sweet spot, and begin your microphone placement there. Rich Tozzoli returns with some practical tips on recording electric guitars using a room mic. The mic choice contributes about 10% to the overall sound. This is the last little bit that takes a good sound and makes it great. Mid-Side Stereo Recording. Well, you get the point. The Audio-Technica microphone always is known for its quality. In fact, thanks to parameters like diaphragm type, polar pattern, and sensitivity, having a nice variety of mics can really make a difference in the final sounds that you're recording and how they blend together in the mix.It's safe to say that most engineers rely on their experience when choosing microphones, but there's also some sound reasoning behind their preferences. Here are some tips on just how to do that. Move around the player or sound source until you find a spot where the frequencies from the instrument are the most balanced and place the mic there. Distant miking: When you use distant miking, you place mics about 3 or 4 feet away from the sound source. The directional pickup of the mic needs to be considered before making a mic selection. This is another good reason to use a variety of mics and different directional patterns, so that the proximity effect buildup is diminished. November 25, 2020, Marc Henshall | If a number of directional microphones are being used at the same time in a close-mic situation, they will all be subject to the proximity effect, and you should expect a buildup of this frequency range in the mix as a result. You might place the mic a couple feet away from the source but pointed in the opposite direction, or you might place the mic across the room. To do this, you need to use the best mic for the application and place it where it can sound its best. To place a cardioid microphone, cover one ear and cup your hand behind the other ear and listen. The Most Popular Placement-A very good placement and a starting point is an area around the top of the Harp’s Pillar, with the microphone capsule pointing down towards the soundboard of the Harp. The sound that you record is ambient — steeped in the sonic qualities of the surroundings (hence the name ambient miking). People with a home-recording setup use this technique most often because it adds little of the sound of the room (the reverb and delay) to the recorded sound.

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